Taking Better
Pictures - Part 6
Getting in on
the Action
If you're
getting tired of taking photographs of the same old
boring subjects, why not head on out to where the
action is? The real action. You need not spend
thousands of dollars traveling to Maui for the
International Surfing Championships or to Spain for
the Running of the Bulls. There's plenty of exciting
action going on just moments from your front door. 
If you doubt that, check with
your local Chamber of Commerce or State Tourism
Department. Scan the entertainment section of daily
and neighborhood newspapers. Tune in to regional radio
and television broadcasts. There you'll find news of
upcoming fairs, races, rodeos, sports activities,
rallies, and other events-everything from barrel
racing and high school diving competitions to
baseball, football, and hockey games ... from offshore
sailing regattas to a neighborhood game of stick
hockey.
Not surprisingly, many people
are hesitant to try photographing moving subjects.
Decades of slow film and slower lenses once restricted
photographers to shooting stone-faced subjects
standing beneath the mid-day sun on a hot summer's day
in August. Ahh, how times have changed! Today's newer
equipment and more sensitive films allow you to use
faster shutter speeds to get proper exposures. And
fast shutter speeds "freeze" fast action,
providing you the opportunity to capture on film some
things your parents could only dream about. Here are a
few other tips for getting in on the action.
If your camera features an
adjustable shutter speed, set it for 1/250 second for
shooting subjects such as joggers, bicyclers, and cars
traveling slower than 25 miles an hour. For subjects
such as runners, sports activities, and cars traveling
up to 50 miles an hour, use a shutter speed of 1/500
second. For really fast-moving subjects such as
airplanes, motorcycles, and auto racers, use 1/1,000
second or faster.
If your camera features an
automatically adjustable shutter speed, use a fast
film of ISO 400 to 1000 to ensure the camera's ability
to select a fast shutter speed for the proper
exposure.
( If you find yourself
shooting a slow film or if your camera has a limited
shutter-speed range, try shooting moving subjects as
they come toward you rather than going from one side
to the other. Autofocusing cameras are especially
useful in conditions like this. For a more creative
approach to capturing fast action, especially when
shooting something like a car race, try using a slower
shutter speed of around 1/60 second and panning with
the action. Simply move the camera from one side to
the other, keeping the subject "frozen" in
one spot in the viewfinder at all times. In the middle
of your pan, snap the picture. The results: a sharp
subject standing out against a dramatically
motion-blurred background.
When freezing fast action
indoors (like at a hockey game or a party), use
electronic flash. The short duration of the electronic
flash will accomplish the same thing as a fast shutter
speed, resulting in perfectly motionless subjects.
Just be sure to check the flash manual or the unit,
itself, to see that the subject is within the maximum
flash range for your film speed and flash combination.
The faster the film (or the higher its ISO rating),
the greater the flash range.
When forced to shoot a slow
film indoors without electronic flash, try to
anticipate the "peak of action.î That's the
precise moment when a moving object stops moving in
one direction and begins moving in another. It's the
pinnacle of a basketball player's jump shot or the
moment a race car veers to make a turn through a tight
chicane. To capture the shot at just the right moment,
pre-focus your camera where you anticipate the peak of
action will occur and be ready fire.
It takes split-second timing
and plenty of practice to do it right, but
peak-of-action shots are some of the most exciting and
spectacular of all action photos.